2012年10月15日月曜日

Reading for Oct 15


   Clothing displays social situation of class and gender in its history. In the book of Fashioning the Bourgeoisie, the historian Philippe Perrot explores history of clothing and its relationships between elites and middle, lower class people, men and women. Although he deals with fashion and clothing, his approach is more close to social history rather than material culture. Not only he focuses on history of women’s body and clothing, but also he describes men’s clothing and social changes in the nineteenth century Europe.
   He points out three aspects of the ideal definitions as social strategies, cleanliness, simplicity, and propriety, and connects how clothing changed with those new aspects. Especially I was interested in the part of cleanliness. He argues that society focused on hygiene and cleanliness became a virtue. In his earlier chapter, he talks that “As white became the obligatory nuptial color, even wedding ceremonies ceased being an occasion for diverse vestimentary manifestations.” [i]This idea of cleanliness not only encouraged people to use underwear as invisible clothing to keep clothes clean, but also helped to wear white as daily dresses. For working class people, wearing white clothes were not practical since they had to work in daily bases. In that sense, clean white color dresses represented upper class women who did not need to work.  
   My two wedding dresses showed interesting contrasts when consider about those cleanliness and class perspectives. White wedding dresses became popular after queen Victoria of England wore a white dress in her wedding in 1840 at first time within bourgeoisies. Eventually middle class women imitated this new trend of bourgeoisies. However, white dresses were not practical for working class women since they remake the dress after the wedding for daily use.[ii] One of my wedding dresses from 1837 is not white and remade of grandmother’s dress. White wedding dresses were not yet popular in all classes at that time. Perrot approach to understanding meaning of clothing in social structures helps to analyze my objects in the nineteenth century.  


[i] Philippe Perrot, Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century (New Jersey: Princeton University Press, 1994.) p.78.
[ii] Sakai Taeko, Wedding Dress ha Naze Shiroi noka [Why Wedding Dresses are White] (Keisou Shobou, 1997.)

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